#Kane and lynch 2 dog days gameplay skin#
#Kane and lynch 2 dog days gameplay series#

Aiming remains worryingly imprecise, and while you could say that some of this comes down to realism, it's a constant frustration that, while you're struggling to nail the triad goon with your SMG - even when he's sitting right in the middle of your crosshairs - he doesn't seem to have the same problems hitting you. Sadly, the actual shooting still isn't as accomplished as it needs to be.

#Kane and lynch 2 dog days gameplay series#

The tale that follows isn't a whole lot more than an excuse for a long series of shoot-outs, but it's a reasonably well-written excuse with a couple of genuinely shocking moments. Strangely, the game makes the curious choice of having you play as the crazy Lynch instead of the more sympathetic Kane, though our protagonist has calmed down considerably for the sequel). Both men are deeply dislikeable in their own way, but each has some shred of humanity to keep your interest.

The game begins with the original's criminal anti-hero, Kane, arriving in Shanghai to do one last job with his psychotic ex-colleague, Lynch. The plot this time isn't as strong, and the characterisation is nowhere near as sharp, but in both respects the game is still miles ahead of the likes of Army of Two.

#Kane and lynch 2 dog days gameplay skin#

The visuals still have some faults when it comes to low-quality scenery textures, rubbery skin and ropey-looking characters, but the overall style is slicker and more coherent than in the notoriously up and down original. It's not far off the look of Michael Mann's Miami Vice and Collateral movies, but shot by a twitchy youth with an iPhone. Dog Days retains the harsh, gritty feel of its predecessor, and even amplifies it through the use of a very nifty, documentary-style shakey-cam effect, and some very nice filters that give it the look of cheap digital video, complete with colour artefacts and lens flare. This is a gaming phone that's been designed from the ground up for the absolute best performance possible. It all dragged the game back from greatness.ДҐ Reasons why the REDMAGIC 7 is a sublime gaming phone Kane and Lynch was hideously frustrating, too, to the point that some sections needed inhuman levels of perseverance. Weapons were spectacularly inaccurate, to the point that you couldn't really trust your crosshairs at any kind of range. The cover system - somewhat important to a cover-based, third-person shooter - didn't really work. Painful, frustrating gameplay? Not so much. Mediocre graphics can and will be forgiven. Unfortunately, Kane and Lynch had one problem that we just couldn't overlook. Instead, IO Interactive made a game that riffed on the crime thrillers of Tarantino, Tony Scott and Michael Mann, packed with terse, brutal firefights, realistic locations, and a healthy dollop of swearing and psychosis. Some of us who played it loved it for its brave, gritty storyline, its tense, violent atmosphere, and just the fact that - for once - we had an action game that didn't follow all the usual space marine/Saving Private Ryan/Call of Duty cliches. (Pocket-lint) - Were it not for one thing, Kane and Lynch: Dead Men might have been one of 2007's most original and entertaining shooters.